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Laurence MoracchiniB377 (Inspiré par Serge Poliakoff)

Confirmed artist
Painting
One of a kind work | Ready to Hang
80 W x 80 H x 2 D cm
$1,943
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Technique
Mixed media
Type
One of a kind work
Material
Mounted Canvas
Dimensions
80 W x 80 H x 2 D cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

As with most of her paintings, Laurence offers 2 readings: a distant reading for an overall view and a close reading that allows us to apprehend the play of limits and subtleties of the seen and the perceived due to the many repentances that "feed" the canvas (see additional photos of the work)

The artist works with a very large knife with acrylic and marble powder. The latter gives a beautiful matte material with different renderings depending on the weight of the powder used.

The edges of the painting are painted light gray.

Laurence Moracchini
France
Confirmed artist
  • KAZoART artist since 2017
  • 64 works sold
  • 107 works

I live and work in Le Vésinet in the Paris region.
After years of figurative work, I wanted to "let go". The abstraction that I call "figuration-abstract" to define my work allows me this freedom of creation.

Through my painting, I invite the viewer to walk through imaginary landscapes. Working in series, some are more abstract and purified, others more figurative where everyone sees different evocations, I never give titles to my paintings, just a reference so we imagine and finally it is good because imagination is freedom.
I work with acrylic filled with marble powder, it is an additive that I appreciate for the different effects of matter it can obtain and for its matt finish.

Generally (certainly partly in order to escape the anguish of the white canvas) I start my paintings with large black flat areas, drips, scratches... then the layers of color overlap, very quickly: it is the hand that guides the mind.

My paintings are often unrecognizable from one day to the next. I keep track of the different stages, either through the visible, the perceived or the "repentant", and through the interplay of superpositions the balance of the canvas is gradually created.
I don’t "premeditate" my paintings, every morning when I return to my studio, it is a new adventure that begins and in which I throw myself by privileging the gestural energy.

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