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Jean-François Laurent (JFL)L'étincelle (the miner's lamp)

Painting
One of a kind work | Ready to Hang
27 W x 35 H cm
$642
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Technique
Oil painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
27 W x 35 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

This composition is inspired by a miner’s lamp, an essential object for working in coal mines (nowadays a decorative or collector’s item). The lamp stands out against an abstract landscape. In the distance, a shape evokes a slag heap.

The artist chose to call his painting The Spark because the small flame in the heart of the lamp was like a spark when the miner was in the mine. Both an essential source of light and therefore of life, but also a terrible risk of death in the event of a blow of firedamp. In this canvas, the light of the lamp is strong and warm, contrasting with the other colder colours. She brings all the strength to this subject, and even seems to explode in concentric circles around her, creating a dark cloud of smoke.

JFL is from the North of France. This painting is like a tribute to the work of the miners who worked there, as well as a childhood memory.

Jean-François Laurent (JFL)
France
  • KAZoART artist since 2018
  • 39 works sold
  • 76 works

Jean-François Laurent - JFL was born in Lille in 1975. He has been mainly been painting in his own with oil on canvas frames since 1997. His work is inspired by lights, colours and transparencies. It is influenced by the works of Lyonel Feininger, Robert Delaunay and Constantin Brancusi.

In his paintings, Jean-François Laurent seeks to transform perspectives and light to show the invisible, the interdependence of things, beings and objects. The lines intersect, cut, deform to give a very structured composition, yet perfectly free and detached from the rules. The subject, ranging from figurative to total abstraction, remains as perceptible to the observer who can project themselves into these familiar forms, while leaving the possibility to see what they wants to see, to feel what they like. Light and shadows are everywhere in the canvas. From every point of view, the interpretation of the work can be different.

His touch is precise, he works with little material and with a reduced range of colours. In this way, he seeks to make the canvas vibrate, to make it feel alive and sensitive to its environment. JFL seeks that each work is to be rediscovered at every moment, that the one who observes it is caught by the composition, by the colours, by the movement and that each time he lets himself be touched as if it were the first time.

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