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Les lumières de la ville - ombres et lumières

$2,677
Painting
One of a kind work | Framed and Ready to Hang
80 x 80 cm
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Technique
Oil painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
80 x 80 cm
Framing
Yes (87 x 87 cm)
Quality Guarantee
Sold with a certificate of authenticity

An abstract vision of a city at dawn. The soft and iridescent light of the day that comes in, the streetlights that project their light more and more diffuse, the walls lit or in the shadows. The city is gradually waking up for another day. This painting is the third version on the same theme with "Dawn" and "Midnight". This time, the treatment is only carried out using a palette of white and black (and all the shades of grey that result from it). On a larger square canvas than the other versions (80 x 80 cm), this choice of colours gives strength and power to the subject. This canvas is framed in a slightly metallic anthracite grey American body, both elegant and modern.

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Jean-François Laurent (JFL)

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62 fans

Yerres (91), France

67 works

Jean-François Laurent - JFL was born in Lille in 1975. He has been mainly been painting in his own with oil on canvas frames since 1997. His work is inspired by lights, colours and transparencies. It is influenced by the works of Lyonel Feininger, Robert Delaunay and Constantin Brancusi.

In his paintings, Jean-François Laurent seeks to transform perspectives and light to show the invisible, the interdependence of things, beings and objects. The lines intersect, cut, deform to give a very structured composition, yet perfectly free and detached from the rules. The subject, ranging from figurative to total abstraction, remains as perceptible to the observer who can project themselves into these familiar forms, while leaving the possibility to see what they wants to see, to feel what they like. Light and shadows are everywhere in the canvas. From every point of view, the interpretation of the work can be different.

His touch is precise, he works with little material and with a reduced range of colours. In this way, he seeks to make the canvas vibrate, to make it feel alive and sensitive to its environment. JFL seeks that each work is to be rediscovered at every moment, that the one who observes it is caught by the composition, by the colours, by the movement and that each time he lets himself be touched as if it were the first time.

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