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Riverland

$1,153
Painting
One of a kind work | Ready to Hang
30 x 120 cm
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Technique
Oil painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
30 x 120 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Life is everywhere. Here it flows like a river with sandstone of invisible rocks, between melted and signs of an extreme finesse of the elements that compose it, and all this is constantly entangled... At several levels of reading. Let us observe, let us preserve.... Let us look at things and events at three levels of reading to step back and multiply our points of view: from above, at our natural height and from close up.

artist avatar

LABB

Best seller Best seller

194 fans

SCEAUX (92), France

114 works

Every day, LABB quietly brushes down its balances, its sensitivity, its imagination and dreams of touching the other. It is the life that she chose and that chose her, forever.

In search of an ideal aesthetic form

Obsessed with balances, the artistic work of Laurence Bost, known as LABB, is a permanent search for skilful mixtures to approach an ideal form of aesthetics. This is reflected in the ubiquitous contrasts such as rough solids and fine lines, opaque and transparencies, light and dark, fine shades or strong color contrasts, solids and voids, the abstract mixed with scraps of figurative.

Her favorite themes are Nature and Man's place in nature. The recurring presence of ribs, asperities, roots, branches, stems, lianas, withers, ligatures and entanglements are all ways of thinking about our links, shackles, correlations, fetters, dependencies, easements and isolation.

It is common for the same work to offer the viewer three levels of reading. From a distance for a global view of the composition "Plan view", from a classic distance for an overview of the drawing "Front view", and very close to discover tiny details invisible at first glance "Macro view". Thus the work offers several possible interpretations. In this sense, his canvases or drawings frequently work in all four directions.

A well-crafted technique

For the fabrics, LABB assembles its frames herself and the cotton or linen canvas. She then coats them with a spatula with a thick layer of pasty acrylic which leaves slight reliefs while drying.

LABB then works only with fine oil, often using white spirit to dilute it and obtain material effects. She continues by working her backgrounds with large brushes in a very brutal way. Often several coats are necessary to obtain the desired transparencies and contrasts. Then she then works the patterns with a fine brush with delicacy and precision, unlike the backgrounds.

For inks on paper, LABB uses Ecolines and India ink, alternating fast work, with a watercolor brush for the backgrounds, and very fine nib for the drawn parts.

To read: LABB confides in KAZoART

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