Les toits de dinan (slate roofs under the sun)

$391
Painting
One of a kind work
22 x 27 cm
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Technique
Oil painting
Type
One of a kind work
Material
Canvas
Dimensions
22 x 27 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

This abstract painting is an evocation in the very geometric style of JFL of Dinan's slate roofs. Under the sun, the roof sections stand out, casting shadows and drawing their angular shapes. Blue dominates in this canvas, like the slate on these roofs. This painting was painted in the idea of a trilogy, with'Les Toits de Lauze' (in brown tones reminiscent of these large stone slabs) and'Les toits d'Ansouis' (in orange red tones of the tiled roofs under the burning sun of Provence).

artist avatar

JFL (Jean-François Laurent)

40 fans

YERRES (91), FRANCE

59 works

Jean-François Laurent - JFL was born in Lille in 1975. He has been mainly been painting in his own with oil on canvas frames since 1997. His work is inspired by lights, colours and transparencies. It is influenced by the works of Lyonel Feininger, Robert Delaunay and Constantin Brancusi.

In his paintings, Jean-François Laurent seeks to transform perspectives and light to show the invisible, the interdependence of things, beings and objects. The lines intersect, cut, deform to give a very structured composition, yet perfectly free and detached from the rules. The subject, ranging from figurative to total abstraction, remains as perceptible to the observer who can project themselves into these familiar forms, while leaving the possibility to see what they wants to see, to feel what they like. Light and shadows are everywhere in the canvas. From every point of view, the interpretation of the work can be different.

His touch is precise, he works with little material and with a reduced range of colours. In this way, he seeks to make the canvas vibrate, to make it feel alive and sensitive to its environment. JFL seeks that each work is to be rediscovered at every moment, that the one who observes it is caught by the composition, by the colours, by the movement and that each time he lets himself be touched as if it were the first time.

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