Look for the wolf: I have been exhibiting since 1992. Without being in the expression of a real schizophrenia, since 2000 I have been engaged in a constrained game of identities: a wolf to hide another, I have also exhibited under the name of LEUX-LOU, Corneloup, Panloup... This finally confusing process led me to consider my artistic work as an object of variable geometry through which I pursue a plastic and fragmentary research linked to the motivations of the gaze.
What thoughts can painting still be the place of? For my part, I have always been sensitive to the fact that I cover surfaces with a coloured material; it still decorates or writes messages. My practice in the early years was nourished by dada, the game of abstractions of the 20th century (Antoni Tapies, occupying for me a predominant place). Thus without being in the expression of a refuge practice, because I do not want to exclude any support of reflection, I remain attached to a pictorial gesture in which I try to privilege by juxtaposing them incidence of chance, manufacturing process and (economy of) means implemented: painting before representing?