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Mélodie aquatique

$4,286
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Painting
One of a kind work | Framed and Ready to Hang
89 x 116 cm
Recipient of the dedication:

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Technique
Oil painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
89 x 116 cm
Framing
Yes (96 x 123 cm)
Quality Guarantee
Sold with a certificate of authenticity

This work is the translation of the artist's reflections on the phenomena of endangerment of aquatic environments around the world. 2015 was a year "rich" in denunciations and alerts by scientists of the consequences of man's actions on the aquatic environment. The artist needed no more than that to echo these past and future catastrophes...

His work resounds like a cry, but also as always at the conclusion of his reflections, like a message of hope, so that at last the colours long laid on the canvas are the reflection of a better world lulled by a soft melody...

artist avatar

Dominique Prévots

17 fans

SAUTRON (44), France

44 works

Dominique Prévots was born in 1953 in Le Havre, France. He grew up in a family for whom Art is only intended for an elite, and would not lead him to a serious future. After a long career in the digital world, weary of this ever-changing environment, he decided to follow an artistic training, convinced that this path should have been his own.

Discussing other than with words is the goal that Dominique Prévots has wanted to achieve since he entered the world of abstraction. This is not always easy to do in the face of the inevitable questions of the spectator.

Through his painting, Dominique Prévots is looking for a new language. A dialogue at the crossroads between the unreal and the figurative, between the informal and the suggestive. It's the thought that drives his gesture on the canvas. This thought, present as soon as he confronts the blank canvas; a thought that does not leave him until the work is completed.

As the work progresses, Dominique Prévots talks, the brush in action, sweeping the canvas with incessant gestures, often gentle, caressing, to envelop the creation of an atmosphere, an ambiance. When he grips the knife flat, it is to accentuate a precise point of the thought that guides him, when he manipulates the sharp side, it is to mark a stopping point, an interrogation.

The plastic work follows this verbal progression, this sequence of reasoning. The artist often instinctively questions himself, wonders about the relevance of his words, about their coherence. At the last brushstroke, at the last incision of the knife, reflection ceases, the artist "passes the hand", he entrusts the work to the eyes of the beholder, it is now up to him to destructure the artist's thought... if he wishes.

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