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Artemisia et barbara

$2,182
Painting
One of a kind work | Framed and Ready to Hang
100 x 80 cm
Recipient of the dedication:

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Technique
Oil painting
Type
One of a kind work
Material
Wood
Dimensions
100 x 80 cm
Framing
Yes (102 x 82 cm)
Quality Guarantee
Sold with a certificate of authenticity

" - My beautiful dog, my good dog, my dear doggie, come and breathe in an excellent perfume bought from the best perfumer in town. "And the dog, wagging his tail, which I believe is the corresponding sign of laughter and smile in these poor creatures, comes closer and curiously places his wet nose on the uncorked bottle; then, suddenly retreating with fright, he barks at me in a reproachful manner. "Ah, wretched dog, if I had given you a packet of excrement, you would have sniffed it out with delight and perhaps devoured it. Thus, you yourself, unworthy companion of my sad life, resemble the public, to whom one should never present delicate perfumes that exasperate it, but carefully chosen rubbish. "The Dog and the Bottle - The Spleen of Paris Charles Baudelaire

artist avatar

Paolo Perfranceschi

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82 fans

Chazelet (36), France

44 works

Paolo Perfranceschi underwent a purely technical training during his adolescence in order to develop his conception of space according to the rigour of the prospects of proto-Renaissance. The influence of "his first loves", Fra Angelico, Paolo Uccello and Piero della Francesca, is recurrent in his painting.

After revisiting classical painting, his style took an important turn: his fascination for the Buddhist pantheon and the great Asian decorative tradition decided him to undertake his first decorative experiments and rediscover traditional techniques of traditional painting (such as casein painting, egg tempera, oil painting) then to convert to the exclusive use of natural products ecological and solvent free.

His passion for David Lynch’s cinema, deeply pictorial in the structure of his shots, led him to revisit the work of Edward Hopper and especially Balthus. The solitude of the characters in space and the "suspension" of the figures (often frozen as worrying presences in the middle of the set) are the leitmotiv of his last paintings.

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