Fenêtre sur cour

$2,162
Painting
One of a kind work
70 x 90 cm
Recipient of the dedication:

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Technique
Oil painting
Type
One of a kind work
Material
Canvas
Dimensions
70 x 90 cm
Framing
Yes (77 x 97 cm)
Quality Guarantee
Sold with a certificate of authenticity

The work, although it borrows the famous title of Alfred Hitchcock's film, does not of course claim to represent such a masterpiece of cinema. It is simply a support for a reflection about isolation, or rather a way to break it. Our modern society, which claims to be at the cutting edge of communication, in an era of new technologies to connect individuals, nevertheless leaves individuals too often "on the sidelines". Whether through lack of will, ignorance, or even oblivion, today individuals are, like the hero of the film, reduced to having a theatre of outsourcing, only the perimeter of their "survival" territory. The artist thus wants to challenge the spectator to make him aware of this invisible, hidden evil, too often passed over in silence, he wants to make him react, by going to meet the other.

artist avatar

Dominique Prévots

11 fans

SAUTRON (44), FRANCE

28 works

Dominique Prévots was born in 1953 in Le Havre, France. He grew up in a family for whom Art is only intended for an elite, and would not lead him to a serious future. After a long career in the digital world, weary of this ever-changing environment, he decided to follow an artistic training, convinced that this path should have been his own.

Discussing other than with words is the goal that Dominique Prévots has wanted to achieve since he entered the world of abstraction. This is not always easy to do in the face of the inevitable questions of the spectator.

Through his painting, Dominique Prévots is looking for a new language. A dialogue at the crossroads between the unreal and the figurative, between the informal and the suggestive. It's the thought that drives his gesture on the canvas. This thought, present as soon as he confronts the blank canvas; a thought that does not leave him until the work is completed.

As the work progresses, Dominique Prévots talks, the brush in action, sweeping the canvas with incessant gestures, often gentle, caressing, to envelop the creation of an atmosphere, an ambiance. When he grips the knife flat, it is to accentuate a precise point of the thought that guides him, when he manipulates the sharp side, it is to mark a stopping point, an interrogation.

The plastic work follows this verbal progression, this sequence of reasoning. The artist often instinctively questions himself, wonders about the relevance of his words, about their coherence. At the last brushstroke, at the last incision of the knife, reflection ceases, the artist "passes the hand", he entrusts the work to the eyes of the beholder, it is now up to him to destructure the artist's thought... if he wishes.

Works from the same artist

The wall
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Fenêtre sur cour
Fenêtre sur cour
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