Noyés dans l'absurde 2008-284

$3,281
Painting
One of a kind work
89 x 116 cm
Recipient of the dedication:

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Technique
Oil painting
Type
One of a kind work
Material
Canvas
Dimensions
89 x 116 cm
Framing
Yes (92 x 120 cm)
Quality Guarantee
Sold with a certificate of authenticity
"Drowning in the absurd" In a fusional mêlée between Men and Pisces, a ballet tune is played that is both nuptial and funerary. The choreography of these fleeting and mortal beings invites us to the table of superabundance from which we can no longer distinguish who could eat whom... © Louise Fritsch 2008Pictorial compositions inspired by Psalm 42-8: The waves of the abyss call to one another, to the sound of your cataracts. Painting created for the exhibition "From the depths of man" at the Gothic church of St. George of SELESTAT on the occasion of the 11th Sacred Art Trail in Alsace organized by the Diocese of STRASBOURG. Oil on canvas frame cotton framed American box wood Ramin raw 120 x 92 cm.
artist avatar

Louise Fritsch

Emerging artist Emerging artist

101 fans

STRASBOURG (67), FRANCE

49 works

Louise Fritsch's artistic approach: The human body is painted through flow, flood and impulse, the comings and goings between darkness and light, passing through anamorphoses and metamorphoses, with nods to the genius of the Renaissance, the Baroque style and contemporaneity.

Between weightlessness and sensuality, constraints and freedom, the human and animal worlds, she has played/tinkered with opposites and instability in order to express an impetus and to seek one's own boundaries. One line may conceal another, appear, disappear, make the invisible… visible. She has tried for some years to create large scale anamorphoses and optical illusions for the architectural space. The effect of the anamorphosis accentuates the illusion of movement for the viewer who, when coming and going through the space, sees the artwork changing going from a figurative representation to abstraction.

The visual impact of the artwork is amplified and stretched through the use of linear perspective. She sees it like the sound of a note that lingers on at the end of a concert before it dies away. The actual shape of the unaltered piece can be seen if one views it from a specific angle. The works can be made on materials such as walls, posts, windows, floors, ceilings, mirrors and more.  

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