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Paolo PerfranceschiI know it's over

Painting
One of a kind work
80 W x 60 H cm
$1,303
Sold
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Technique
Oil painting
Type
One of a kind work
Material
Wood
Dimensions
80 W x 60 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

This painting was inspired to me by Bruce Springsteen's song "Nebraska" which in turn was inspired to write the album by Malick's movie "Badlands" and was also inspired by Charles Starkweather's story. "Life is short, art is long, opportunity is fleeting, experience is deceptive, judgment is difficult," said Hyppocrates, and this is incredibly true if you think about the life of Charles Starkweather and the influence he had on many artists. "I know It's over" is the beginning of the end for Charles, the cops are here and he has just a moment left to savor the last sunset of his life. " They declared me unfit to live, said into that great void my soul'd be hurled They wanted to know why I did what I did Well sir I guess there's just a meanness in this world. (Nebraska - Bruce Springsteen)"

Paolo Perfranceschi
France
  • KAZoART artist since 2018
  • 30 works sold
  • 55 works

Paolo Perfranceschi underwent a purely technical training during his adolescence in order to develop his conception of space according to the rigour of the prospects of proto-Renaissance. The influence of "his first loves", Fra Angelico, Paolo Uccello and Piero della Francesca, is recurrent in his painting.

After revisiting classical painting, his style took an important turn: his fascination for the Buddhist pantheon and the great Asian decorative tradition decided him to undertake his first decorative experiments and rediscover traditional techniques of traditional painting (such as casein painting, egg tempera, oil painting) then to convert to the exclusive use of natural products ecological and solvent free.

His passion for David Lynch’s cinema, deeply pictorial in the structure of his shots, led him to revisit the work of Edward Hopper and especially Balthus. The solitude of the characters in space and the "suspension" of the figures (often frozen as worrying presences in the middle of the set) are the leitmotiv of his last paintings.

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