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Ho My AnLiberté chérie 2

Confirmed artist
Painting
One of a kind work | Framed and Ready to Hang
24 W x 30 H cm
$589
Recipient of the dedication:

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Technique
Oil painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
24 W x 30 H cm
Framing
Yes (28 W x 34 H cm)
Quality Guarantee
Sold with a certificate of authenticity

"Liberté chérie" 2 is a gentle oil painting that echoes another of my paintings done during the attacks of November 13. The health crisis is once again restricting our space of freedom through fear. The closure of the live model workshops, the confinement and restrictions have led me to this work of memory on the language of bodies observed at a time when everything remained possible. That time when we could simply breathe the scents of spring. Framing: American box, black wood

Ho My An
France
Confirmed artist
  • KAZoART artist since 2015
  • 35 works sold
  • 127 works

Ho My An’s work exudes humanity and softness. Her female subjects are all looks, lights and curves, sensuality and multiple femininity. Successfully she imprints the illusion of a present onto a face.

Drawing as linguistic expression

Guided by her five senses, Ho My An has taken only the essential from her studies in plastic arts and art history, rediscovering a certain freedom and authenticity in her approach to life drawing.

Going beyond words, a dressed or naked silhouette expresses its emotional relationship with its physical embodiment, the Earth’s breathe and the culture that carries it. The artist aims to capture this corporal language, providing an interpretation through her art.

Travel as a guiding theme

Travel is the inspiration for Ho My An’s work. She observes and tries to understand the men and women around her. Her sketches reinterpreted in watercolour and moving pigments tell the story of different cultures, bodies in movement and her love for humankind.

She takes the time to observe the sensation of space, people, light, sounds, breath and the sensuality of destinations. Instead of simplifying immediacy, she seeks a certain complexity in slowness. This is expressed in varied but never commonplace techniques, in watercolour glazing or diluted oil.

She aims to offer her audience an opportunity for stationary travel, a medium for dreaming, meditation and above all joy.

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