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Eau : un peu d'or suffit au ciel du matin...

$2,120
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Painting
One of a kind work | Ready to Hang
150 x 70 cm
Recipient of the dedication:

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Technique
Oil painting
Type
One of a kind work
Material
Mounted Canvas
Dimensions
150 x 70 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

In the solitude and calm of her studio nestled in the meanders of the Saône, Nadine Pillon endeavours to capture under the tip of her knives, the reverie that water provokes. Everything is a pretext for a pictorial research: to retranscribe this mobility, these reflections of instability which double and deform the trees and the large water lilies on the water, the jump of the carp which jostles beyond its reflections... These liquid landscapes where the light diffuses into a fluid, light matter, animated by some materials and impasto more pronounced, give her paintings a contemporaneity close to abstraction. Nadine Pillon's paintings offer a very personal universe where the harmony of vibrant, luminous colours triumphs. They invite the viewer to plunge into the heart of the painting in order to find the eternal part in the fleeting and our inner roots.

artist avatar

Nadine Pillon

Renowned Artist Renowned Artist

78 fans

DRACE France (69), France

18 works

The light buried in flowers reappears. It is the ambition to eternalize on the canvas the energy necessary for all flowering that motivates Nadine Pillon’s painting. Here, the artist unveils his latest works, the result of a work that highlights the link between nourishing vase and thin stems. This is how we discover scenes where the gaze is shifted, surprising: the artist gets closer to his subjects, highlights the vase, all in transparency where the insolent bouquet only shows itself barely... Top, bottom... We are deprived of the panache of his bouquets! Nadine Pillon does not impose, Nadine Pillon suggests and, generous offer by the spread shadows, a large place to our imagination.

A new approach all in modernity, a new breath combining a figurative aesthetic approach and lightness sometimes close to abstraction, but without excess because for the artist, "what is beautiful must remain readable". She wants to grasp everything under the point of her knife, to trap in the thick paste the strength and tenacity of the budding, the flamboyance and fullness of the flowering, the inevitable wilting and the sad decline, before everything is diluted in time. His works are a harmony of bright colours that radiate joy, a hymn to life. What we are deciphering goes far beyond the beauty of flowers. It is a painting that immerses us in an intimate reflection and makes us humble in front of this inexhaustible rich nature.

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