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Louise FritschLe reniement de pierre 2014-454

Confirmed artist
Painting
One of a kind work | Framed and Ready to Hang
60 W x 60 H cm
$6,404
Recipient of the dedication:

$760 Shipping (France)
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Technique
Oil painting
Type
One of a kind work
Material
Wood
Dimensions
60 W x 60 H cm
Framing
Yes (90 W x 90 H cm)
Quality Guarantee
Sold with a certificate of authenticity

Matthew 26-75: And Peter remembered the word that Jesus had said, "Before the cock crows, you will have denied me three times."

The work is based on one of the damned from the "Last Judgment" painted by Michelangelo in the Sistine Chapel in Rome.

Painting realized for the exhibition "Via Crucis" in 2015 in the Catholic church St-Georges of SELESTAT, among the artists' collective "7 à voir" on the occasion of the 17th Chemin d'Art Sacré en Alsace organized by the Diocese of Strasbourg.

Framed in varnished steel sheet 90 x 90 x 0,2 cm. Diagonal including frame: 127 cm.

Louise Fritsch
France
Confirmed artist
  • KAZoART artist since 2017
  • 20 works sold
  • 66 works

Louise Fritsch's artistic approach: The human body is painted through flow, flood and impulse, the comings and goings between darkness and light, passing through anamorphoses and metamorphoses, with nods to the genius of the Renaissance, the Baroque style and contemporaneity.

Between weightlessness and sensuality, constraints and freedom, the human and animal worlds, she has played/tinkered with opposites and instability in order to express an impetus and to seek one's own boundaries. One line may conceal another, appear, disappear, make the invisible… visible. She has tried for some years to create large scale anamorphoses and optical illusions for the architectural space. The effect of the anamorphosis accentuates the illusion of movement for the viewer who, when coming and going through the space, sees the artwork changing going from a figurative representation to abstraction.

The visual impact of the artwork is amplified and stretched through the use of linear perspective. She sees it like the sound of a note that lingers on at the end of a concert before it dies away. The actual shape of the unaltered piece can be seen if one views it from a specific angle. The works can be made on materials such as walls, posts, windows, floors, ceilings, mirrors and more.  

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