"For "Les Trouous Noirs - 002", I tried to work on the tear and the extension. I wanted to insert clarity and colour in a very dense and suffocated space. For the series, it was important for me to focus on black. Each square has its own colouring which is obtained by the six successive layers of paint. Some blacks are loaded with blue, others with grey, which brings a real sparkle to the colour. For the development of my collection, I chose to work with a textile technique applied to paper, batik. Warm wax is applied to the places you don't want to colour.
It's a delicate job, which is done under pressure: every grid of my work is drawn in this way. I had to tame a hot material; I had to learn to work fast. I chose a paper usually used in engraving, a thick Japanese paper, which absorbs water like a sponge, which completely takes care of the paint. I apply six successive layers of watercolour, which I choose to wet more or less, in order to use the transparency properties of the material over a wide range.
This allows me to obtain complex and charged colours, really vibrant and full of reflections. When my paint is dry, I have to delicately remove the wax from the paper. Each removal is a real discovery for me. The creation is balanced and then takes on its full meaning through a dialogue established between logic and letting go."