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Camille TardifLes supernovas - 001

Painting
One of a kind work | Framed and Ready to Hang
30 W x 40 H cm
$268
Sold
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Technique
Watercolour
Type
One of a kind work
Material
Paper
Dimensions
30 W x 40 H cm
Framing
Yes (33 W x 43 H cm)
Quality Guarantee
Sold with a certificate of authenticity

"Les supernovas-001" is the beginning for me of a work around the blur and the dynamic contribution of luminosity in a busy and dense environment. I chose to mix cold and warm shades to accentuate the idea of radiance. For this series, I have access to my research on luminosity and work around the diagonal. For the development of my collection, I chose to work with a textile technique applied to paper, batik. Hot wax is applied to the places that you do not wish to colour.

It's a delicate job, which is done under pressure: every grid of my work is drawn in this way. I had to tame a hot material; I had to learn to work fast. I chose a paper usually used in engraving, a thick Japanese paper, which absorbs water like a sponge, which completely takes care of the paint. I apply six successive layers of watercolour, which I choose to wet more or less, in order to use the transparency properties of the material over a wide range.

This allows me to obtain complex and charged colours, really vibrant and full of reflections. When my paint is dry, I have to delicately remove the wax from the paper. Each removal is a real discovery for me. The creation is balanced and then takes on its full meaning through a dialogue established between logic and letting go."

Camille Tardif
France
  • KAZoART artist since 2020
  • 21 works sold
  • 42 works

A textile designer by trade, Camille Tardif has recently embarked on a multidisciplinary creative approach, the very essence of which is to bring together techniques that are refractory to one another in order to create something new. Taking things in the wrong direction is an essential value of her work.

With seven years of graduate studies in design, the artist quickly felt trapped by having learned too much. Inevitably, she repeats what she has been taught. The whole point of her approach today is to succeed in bringing her technique and her instinct into dialogue, to find a balance between logic and letting go.

Repetition is an obsessive principle for Camille Tardif, as much for the principle as for its aesthetic character: it is therefore natural that she finds herself present in her work. It is in the detail and in the repetition of the infinitely small that she offers creations to be apprehended from afar.

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