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MonchJ'ai beau frotter, ça ne part pas

Emerging artist
From a limited edition of 8 | Framed and Ready to Hang
40 W x 60 H cm
Recipient of the dedication:

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Digital photography
Limited edition of 8
40 W x 60 H cm
Yes (44 W x 64 H cm)
Quality Guarantee
Sold with a certificate of authenticity

Photographic painting on the imprint of time.... Digital composition and drawing from personal photographs. The photographic element is used as a painter uses his painting palette.

High definition Fineart digital printing on Innova Photo Smooth Cotton Mat 315g/m2 paper, carried out in a professional workshop and in the presence of the author. Lamination on aluminium 1mm. Frame in American black stained wooden box + booster frame.

Emerging artist
  • KAZoART artist since 2017
  • 16 works

Extract the human from matter or dissolve the human from matter. Seek the primary emotion, tirelessly crush the fundamental human questions. Work only on instinct... in all sincerity. But what comes out of this process does not impose anything, I hope that my intentions will be erased and leave room for everyone’s feelings. I photograph the accidental forms of nature and the urban environment. From the mixture of these images, either with each other or with portraits and drawings, my paintings are born. Roots, barks, old walls, stones, stains, etc., whose naturalness and raw side I keep, become as many faces, anthropomorphic forms, expressive landscapes. Paraeidolia and/or accident are the triggering factors of my work. From these reworked and redesigned materials, by pulling the thread, I reveal, as a modest alchemist, the images born of my imagination. I claim a work resulting from photography and aesthetically closer to painting, drawing, engraving. The matt support used still helps this perception. I like this no man’s land which wants to erase technique in favour of emotion with a deliberate ambiguity about its nature.

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