Incertain I

$280
Photography
From a limited edition of 8
12 x 12 in
Recipient of the dedication:

Free delivery (France)
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Delivered with a certificate of authenticity

Technique
Digital photography
Type
Limited edition of 8
Material
Aluminium
Dimensions
12 x 12 in
Framing
Yes (13 x 13 in)
Quality Guarantee
Sold with a certificate of authenticity

"Uncertain I" 1/8 is a photograph from the "Des Vacances Françaises" series taken in the summer of 2017. Numbered, signed by the author. Delivered with a certificate of authenticity. He has a twin on the Kazoart site called the "Uncertain II". Support: Genuine photo print on Aluminium dibond matt Framed work: ArtBox in solid wood 4 mm, wood Alder Brown

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artist avatar

Julie Peiffer

11 fans

NANCY (54), FRANCE

24 works

Julie Peiffer has always been a photographer. Even when her only camera was her eyes. It is no coincidence that the first pictures she posted on her Facebook page were initially grouped under the title "In My Eye". From her mother, Julie holds the rule, the limit, the structure. The frame. From his father, the movement, the off-field. The overflow. 
 It is on the side of this aesthetic, sensory, educational confrontation and their alchemy, as much as their contrast, that we must look for what animates, in the Latin sense of the term, Julie’s vision. The one of this child that she was and who posed it, avidly, on this world of which part was hidden from her, to protect her, that she nevertheless guessed, that she was already questioning, behind these adult and closed doors, arousing all the curiosities. From withdrawal, from abstraction, came the questioning, the interplay between light and shadow, this primal vocabulary of photography, which she would later nourish by "frequenting" the work of Man Ray, Eugène Atget or André Kertész, among many others. 
Le look of the one who today reads our urbanity, our hic and nunc, highlights its question marks, exposes its rhythm, its punctuation, "the between the lines". 
Le the look of those who manage to reveal the evidence, finally exposed, invisible as it was to the busy passers-by of our own lives, to the heart of our insomniac cities, to the heart of our lives, our bodies, those in the making or those washed away by too much rain and storms.

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