Lune bleue

$176
Photography
From a limited edition of 7
22 x 30 cm
Recipient of the dedication:

Free delivery (Continental France)
Livraison : The artist is temporarily absent from their studio. The soonest they will be able to ship the work is 24/08/2020.
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Delivered with a certificate of authenticity

Technique
Digital photography
Type
Limited edition of 7
Material
Paper
Dimensions
22 x 30 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

This work is available in a Fine Art print on Hahnemühle German Etching paper. It is printed in a format 30x22 cm including margins (see photo 2); excluding margins, the dimensions of the work itself are 26x19.5 cm.

The print is sold unframed. The title, numbering and signature (monogram) appear in the margin just at the bottom of the work.

Only two more copies available: 4/7 and 5/7.

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Georges DUMAS

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51 fans

AUBERVILLIERS (93), FRANCE

79 works

For about ten years now, I have been creating paintographies. As its name suggests, a paintography is a mixture of painting and photography.

From photography, I keep the initial shot, an essential and unavoidable basis for the work to come. I also retain, despite all the successive manipulations carried out afterwards on the computer, the precision, finesse and plastic quality that certainly distinguish it from painting other than hyper-realistic. However, a paintography is not a photograph, it is a plastic construction that raises doubts in the eyes, that raises the question of the nature of the image that is offered to the eyes of the spectators. What part of the work was captured by the objective, what part recreated by the software work, what part brought by the acrylic glazes?

Layers, layers, stacks: despite its extreme readability, a paintography is a complex construction, based on a succession of screens. The fabric or skin never appears naked, they are always covered by a material that is as much a screen as it is a body with them. This matter is itself obscured by squares that seem either to detach from it or to deepen within it; by evoking the pixels at the base of any digital image, these squares remind us that this matter is a decoy, that it is virtual. And yet, in the works in mixed technique, it is precisely these squares that appear in relief on the surface of the canvas, in a strange transparent materiality...

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