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Golden glasses

$841
Photography
From a limited edition of 8
Recipient of the dedication:

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Delivered with a certificate of authenticity

Technique
Digital photography
Type
Limited edition of 8
Material
Paper
Dimensions
80 x 80 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Golden glasses Limited edition of 8 pieces. You will have N°1 Created in 2010. Printed with Epson P20 000 on Baryta Hahnemühle 315g Signed and numbered by the artist. Supplied with 5 cm or aprox 2" white border The total size is 90 cm x 90 cm With a certificate of authenticity

There is another limited edition of 25 copies. Signed and numbered by the artist. 50 cm x 50 cm with a white border of 2 cm all around. Total size is 54 cm x 54 cm With a certificate of authenticity.

artist avatar

Morgan Paslier

Renowned Artist Renowned Artist
Best seller Best seller

302 fans

VIGNOC (35), France

286 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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