Me & you

$1,411
Photography
From a limited edition of 8
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Technique
Digital photography
Type
Limited edition of 8
Material
Canvas
Dimensions
100 x 100 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Printing on 350gr Canvas mounted on a wooden frame 25x65mm.
Robust, stretchable, water-resistant, photographic quality canvas. Tetenal Canvas Premium Digital Spectra Jet 350g. Very resistant, the Canvas support is a canvas made from a mixture of cotton (35%) and polyester (65%). Its original texture and its high grammage of 350 g offer a matt finish and a nice grain, white edge.

Hand-signed on the back. Comes with certificate of authenticity. Also available in different sizes and supports (Diasec, brushed aluminium, paper, dibond, ...) Contact KAZoART for more details.

artist avatar

Morgan Paslier

Best seller Best seller

241 fans

VIGNOC (35), FRANCE

246 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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