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Axel PilyserLes acrobates

Photography
From a limited edition of 13 | Ready to Hang
46 W x 70 H x 4 D cm
Recipient of the dedication:

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Technique
Digital photography
Type
Limited edition of 13
Material
DiBond
Dimensions
46 W x 70 H x 4 D cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

On the beach of Grand Bassam in Ivory Coast this family of four acrobats had a bad reputation. The father would send the children so high into the sky that the tourists would give him money to stop! It turns out that they were trained in circus arts, and that they mastered their throws perfectly. The little girl, no matter what acrobatics she did, always kept the tickets she had collected in her left hand.

Axel Pilyser
France
  • KAZoART artist since 2020
  • 37 works

Axel Pilyser was born in France in 1964. He discovered photography at the age of fifteen using an old Pentax, three tanks and an enlarger. After studying at the Louis-Lumière school and starting out as a set photographer, he worked as a director-editor in political (Michel Field, Cyberculture) as well as entertainment (Decode pas Bunny) programmes before returning in 2010 to the still image through large luminous tableaux inspired by urban photography. Since 2018, he devotes himself essentially to his personal projects as a visual artist, incorporating into the walls of a territory the portraits and written traces of those who live there: Walls, you go there, you stay at the foot, it's up to you. For others, we make foundations, build, protect, separate. For me, from the caves, it's a wonderful medium to tell stories: poetic, religious, political, love stories... I work by associating ideas, mixing images, empiricism. My goal is to tell a story while leaving others the possibility to see another one. I use original photographs reworked on computer, printed on digigraphic paper with a lot of texture. The effect obtained, close to painting, allows me to affirm my fictional and aesthetic bias. We go into the wall, of course, but we can look for a bit of beauty in the catastrophe.

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