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You almost convinced me

$2,106
Photography
From a limited edition of 2 | Ready to Hang
Recipient of the dedication:

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Delivered with a certificate of authenticity

Technique
Digital photography
Type
Limited edition of 2
Material
Plexiglass
Dimensions
50 x 50 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

From the series "I'm in the middle of something": this series refers to your inner space. The place where you are right now, the vibrations you are receiving right now are yours! Plus mine...

DIASEC Fuji Crystal Archive Photo Paper 220gr mounted under 4mm clear acrylic glass, with polished edges, with Dibond 3mm at the back, delivered with hanging profile. (ready to be hung with an aluminium system on the back)

Signed by hand on the back. Comes with certificate of authenticity. Please contact KAZoART for more details if you are interested.

artist avatar

Morgan Paslier

Best seller Best seller

302 fans

VIGNOC (35), France

285 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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