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Suburb of Philadelphia

$404
Photography
From a limited edition of 30 | Ready to Hang
Recipient of the dedication:

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Delivered with a certificate of authenticity

Technique
Digital photography
Type
Limited edition of 30
Material
Plexiglass
Dimensions
20 x 30 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

A suburb of Philadelphia after a storm, the sun was spitting out its rays violently, flooding the facades with golden light. A biker was passing by at the time of the outbreak...

Plexiglas photo prints have become the standard for art galleries and photo exhibitions. This is the reason why I now offer you all my images on this medium. Guarantee of high quality and stability over time. Plexiglas prints, also known as acrylic prints, are known for their brilliant colours and visual effect. The colour rendering gives your image a modern look from all angles. Sharp diamond blades cut the contour of each print, resulting in finer and smoother edges.

Delivered with a hanging system, you can display the work safely in a few minutes without damaging your walls (easy to apply, easy to remove, can be applied on many surfaces such as painted / varnished wood, metal, tiles, painted drywall and glass ) Your photos are printed directly on the plexi The print is 4 mm thick Suitable for indoor and outdoor use Custom size and large formats available Stable, rigid, light Reproduction of photos in high resolution UV light resistance Waterproof. Work delivered signed and accompanied by a certificate of authenticity.

artist avatar

Philip Dumont

91 fans

Paris (75), France

50 works

Philip Dumont's practice of photography started when he was twelve years old, thanks to a little Kodak camera given to him by my godfather. A few years down the road, his career began to develop. First, he went to the Louis Lumière School and then received his first professional photographing gig for a guitarist publication. He then worked with a gourmet foodie magazine by Gault & Millau. At the same time, he was doing commercials for several advertising agencies while starting to get into digital movies as a photography director for music videos, short movies, institutionals or corporate projects, etc. In his opinion, photography and film-making are closely linked. It's true the photographer doesn't have to worry about the 24/25 images per second rate. But the frame and the light in photography are two components that go hand-in-hand with motion pictures, just as colour correcting, a technical-artistic constraint, is specific to film-making. But that's a whole other story...  


He doesn't just calculate anything on an a posteriori or the idea that this or that subject could please, His work is not centered around whether or not it will find buyers. His process goes like this: he sees, he frames, he shoots...it is part of this spontaneity that is essential to Dumont: freedom. It is the ability to act here and now. It is obviously different for the "staged" shots which are another part of his activity. 

Dumont's influence is mostly drawn from the work of artists such as Renoir, Hopper, Klimt and Hockney, just to name a few. Filmmakers that are dear to his heart are Scorsese, Kubrick, Fritz Lang or Hitchcock. And of course, there are the prestigious photographers like Henri Cartier-Bresson, Willy Ronis, William Eggleston, Stephen Shore, Ernst Haas and so many more who inspire him daily.

 

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