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Philip DumontGolden bears vs buffaloes

Photography
From a limited edition of 30 | Ready to Hang
30 W x 20 H cm
private sale -30%
12 days left Only KAZoART members have exclusive access to our Special Offers. Please log in to your account to see the prices and shop.
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  • Artwork delivered with certificate of authenticity
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Technique
Digital photography
Type
Limited edition of 30
Material
Plexiglass
Dimensions
30 W x 20 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

In the California Memorial Stadium in Berkeley (University of California). A very intense game between the Golden Bears and the Colorado Buffaloes. To accentuate the feeling of speed of the players I deliberately used a slow shutter speed. Focal length: 200 mm. Plexiglas photo prints have become the standard for art galleries and photo exhibitions.

That's why I now offer all my images on this medium. A guarantee of high quality and stability over time. Plexiglas prints, also known as acrylic prints, are known for their brilliant colours and visual effect. The color rendition gives your image a modern look from all angles. Sharp diamond blades cut the outline of each print, resulting in thinner, smoother edges.

Comes with a hanging system, you can safely display the artwork in minutes, without damaging your walls (easy to apply, easy to remove, can be applied to many surfaces such as painted / varnished wood, metal, tile, painted drywall and glass). Your photos are printed directly onto the plexi. The print is 4 mm thick and is suitable for indoor and outdoor use. Custom size and large formats available. Stable, rigid, lightweight. High resolution photo reproduction. UV light resistant and waterproof. Delivered, signed and accompanied by a certificate of authenticity.

Philip Dumont
France
  • KAZoART artist since 2018
  • 54 works

Philip Dumont's practice of photography started when he was twelve years old, thanks to a little Kodak camera given to him by my godfather. A few years down the road, his career began to develop. First, he went to the Louis Lumière School and then received his first professional photographing gig for a guitarist publication. He then worked with a gourmet foodie magazine by Gault & Millau. At the same time, he was doing commercials for several advertising agencies while starting to get into digital movies as a photography director for music videos, short movies, institutionals or corporate projects, etc. In his opinion, photography and film-making are closely linked. It's true the photographer doesn't have to worry about the 24/25 images per second rate. But the frame and the light in photography are two components that go hand-in-hand with motion pictures, just as colour correcting, a technical-artistic constraint, is specific to film-making. But that's a whole other story...  


He doesn't just calculate anything on an a posteriori or the idea that this or that subject could please, His work is not centered around whether or not it will find buyers. His process goes like this: he sees, he frames, he shoots...it is part of this spontaneity that is essential to Dumont: freedom. It is the ability to act here and now. It is obviously different for the "staged" shots which are another part of his activity. 

Dumont's influence is mostly drawn from the work of artists such as Renoir, Hopper, Klimt and Hockney, just to name a few. Filmmakers that are dear to his heart are Scorsese, Kubrick, Fritz Lang or Hitchcock. And of course, there are the prestigious photographers like Henri Cartier-Bresson, Willy Ronis, William Eggleston, Stephen Shore, Ernst Haas and so many more who inspire him daily.

 

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