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Morgan PaslierAbstraction 13

Confirmed artist
Best seller
Photography
From a limited edition of 8
50 W x 50 H cm
$421
Recipient of the dedication:

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Technique
Digital photography
Type
Limited edition of 8
Material
Paper
Dimensions
50 W x 50 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Limited edition of 8 copies.

Printed with Epson P20 000 on 315g Hahnemühle Baryte paper. Signed and numbered by the artist;

You buy the N° 1/ 8 White border 2cm for the 50x50cm image 48x48cm, White border 10cm for the 100x100cm image 80x80cm For more questions (or another format) please contact KAZoART.

artist avatar
Morgan Paslier
Confirmed artist
Best seller
France

KAZoART artist since 2016

75 works sold

349 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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