Paysage psychédélique 17

$497
Photography
One of a kind work
24 x 39 in
Recipient of the dedication:

Free delivery (France)
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Delivered with a certificate of authenticity

Technique
Film photography
Type
One of a kind work
Material
Plexiglass
Dimensions
24 x 39 in
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Chloé Coislier’s series on Psychedelic Landscapes is for the moment infinite. It represents the artist’s wanderings, a precise moment of creation.

"I develop an unlimited experimentation around the question of memory, the lived moment, a unique emotion felt in a fragile and fleeting moment. I dissect time and fragment movement, I dig into the chemical interiority of what makes silver photography, equal to our psyche. This approach to photography links it to the more unique character of a painting, which is why each print is unique. The boundary between these arts is more complex and intimate than one would think." - Chloé Coislier

The 3mm Diasec printing process is reflected in order to play on the contrasts, colours and depth of the landscapes. The surface absorbs or reflects light, the colours change and evolve with each look, the photograph is almost never really frozen.... The flat printing process allows printing directly behind the plexiglass plate. The inks are solidified and fixed to the substrate by UV rays.

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artist avatar

Chloé Coislier

20 fans

EPINAY SUR ORGE (91), FRANCE

97 works

Chloé C. student in arts develops her research on the transmission and awakening of memories. By combining silver and digital, chemically damaging her films while leaving them to chance, she creates abstract images where familiar shapes can be detached.

Through my photos I would like to demonstrate that the temptation to believe in the myth of objectivity in photography occurs when we give in to the temptation to believe in the objectivity of our perceptions and memories

.

By letting go of an open mind, by accepting the unknown and the unspeakable, we can open ourselves to many equally interesting impressions. I would like to lead the spectator to introduce imaginary, unknown things, without feeling any fear, as a kind of new learning of the world through psychedelic assimilation as well as emotional order with the emotions and feelings that only he will be able to experience... I adopt a method of deconstruction, of transformation by hoping to plunge the spectator into a dreamlike universe while being connected to a reality. My subjects are more or less discernible, and their bodies detach themselves, or blend into abstract materials of random colours and shapes. Drowned in them, sinking into the heart of a whole that emancipates itself from a tenacious world, I also study the plastic representation of the pure psyche. It is now possible to scan our brain in a very scientific, real and objective way. On the other hand, I would like to offer a vision of what the meanders of thoughts could be in their raw state. Like a probe, my device would capture these moments of pure drift and free from fleeting vague daydreams."

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