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Série le temps suspendu - roumanie

$510
Photography
From a limited edition of 10 | Framed and Ready to Hang
Recipient of the dedication:

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Delivered with a certificate of authenticity

Technique
Film photography
Type
Limited edition of 10
Material
Paper
Dimensions
40 x 30 cm
Framing
Yes (42 x 32 cm)
Quality Guarantee
Sold with a certificate of authenticity

This photograph is from the series "Le temps suspendu" made in Romania.

"Here I am in Sibiu and I'm about to leave again. Radu's car is covered in snow. Inside the vehicle I look sadly at this new beginning. A moment later I quickly take my camera out, so as not to forget this moment. Finally your face appears behind the window, covered with snow." Amélie Berthou

Silver photography. Fine Art Inkjet Printing, Hanemülhe Bamboo 290 gr. Numbered and signed in the lower right corner. Margins included (side and top 3 cm, bottom 4 cm).

Amélie Berthou is also a professional framer and can provide your framing in full compliance with the ISO 18911 Standard for the preservation of photographic documents. She recommends a solid oak frame, with anti-reflective and UV treated glass from Clarity. An acid-free protective cardboard will be added between the photo and the bottom cardboard. Finally, the back will be closed with adhesive tape to prevent dust and pollutants from entering the frame. Format 30 x 40 cm with frame = 540 € Format 50 x 70 cm with frame = 1 220 €

artist avatar

Amélie Berthou

8 fans

La Meignanne (49), France

13 works

My photographic work is presented in the form of series that revolve around a lived space-time, during stays or trips for photographic purposes. For me, these moments are a break from the habits and constraints of everyday life. My photographs bear witness to the states of souls that pass through me, such as melancholy, doubt, boredom, fear and loneliness. They also reflect my personality by praising slowness, contemplation, silence, discretion and gentleness. The images obtained freely intertwine different subjects: landscapes, architectures, portraits, scenes of life or interiors. I take pictures with silver cameras. First, there is the aesthetic rendering of the silver grain. This granular texture surrounds each image with a veil of delicacy. Moreover, silver photography induces another relationship with time. In its process, the time of filmmaking is slower, and this slowness is like me. Also, there is this discretion in the silver material I use. Not very sophisticated, sometimes looking like a toy, I don't attract anyone's attention. I am neither seen nor noticed. Among other things, this anonymity gives me great freedom of action.

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