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Amélie BerthouSérie attendue nulle part - kustavi - finlande

Photography
From a limited edition of 10 | Framed and Ready to Hang
40 W x 30 H cm
$427
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Technique
Film photography
Type
Limited edition of 10
Material
Paper
Dimensions
40 W x 30 H cm
Framing
Yes (42 W x 32 H cm)
Quality Guarantee
Sold with a certificate of authenticity

This photograph is from the series "Expected Nowhere", taken over two years across Europe.

"Here I am in Finland on the islands of Kustavi. The day rises slowly on the Baltic Sea as I contemplate the landscape that runs under the speed of the boat, still a little sleepy. Silver photography." Amélie Berthou

Digital inkjet print on Hanemühle Bamboo paper 290 gr. White margins included (on the sides and top 3cm, bottom 4cm). Numbered and signed print in the lower right corner.

Amélie Berthou is also a professional framer and can provide your framing in full compliance with the ISO 18911 Standard for the preservation of photographic documents. She recommends a solid oak frame, with anti-reflective and UV treated glass from Clarity. An acid-free protective cardboard will be added between the photo and the bottom cardboard. Finally, the back will be closed with adhesive tape to prevent dust and pollutants from entering the frame. Format 30 x 40 cm with frame = 540 € Format 50 x 70 cm with frame = 1 220 €

artist avatar
Amélie Berthou
France

KAZoART artist since 2019

13 works

My photographic work is presented in the form of series that revolve around a lived space-time, during stays or trips for photographic purposes. For me, these moments are a break from the habits and constraints of everyday life. My photographs bear witness to the states of souls that pass through me, such as melancholy, doubt, boredom, fear and loneliness. They also reflect my personality by praising slowness, contemplation, silence, discretion and gentleness. The images obtained freely intertwine different subjects: landscapes, architectures, portraits, scenes of life or interiors. I take pictures with silver cameras. First, there is the aesthetic rendering of the silver grain. This granular texture surrounds each image with a veil of delicacy. Moreover, silver photography induces another relationship with time. In its process, the time of filmmaking is slower, and this slowness is like me. Also, there is this discretion in the silver material I use. Not very sophisticated, sometimes looking like a toy, I don't attract anyone's attention. I am neither seen nor noticed. Among other things, this anonymity gives me great freedom of action.

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