Nightmare

$111
Photography
From a limited edition of 10
30 x 20 cm
Recipient of the dedication:

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Technique
Film photography
Type
Limited edition of 10
Material
Paper
Dimensions
30 x 20 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

My goal is to create comforting, utopian, exhilarating and intriguing time-spaces. The alteration highlights their fragility, the complexity of the work of recollection, the fragments of life already dead, the incessant struggle against oblivion, the tenacious desire to hold them close to oneself and their perpetual ubuesque transfiguration.

Silver print on silver print onRC Satiné Ilford, classic llford satin photo paper, 290g.

artist avatar

Chloé Coislier

60 fans

EPINAY SUR ORGE (91), FRANCE

101 works

Chloé C. student in arts develops her research on the transmission and awakening of memories. By combining silver and digital, chemically damaging her films while leaving them to chance, she creates abstract images where familiar shapes can be detached.

Through my photos I would like to demonstrate that the temptation to believe in the myth of objectivity in photography occurs when we give in to the temptation to believe in the objectivity of our perceptions and memories

.

By letting go of an open mind, by accepting the unknown and the unspeakable, we can open ourselves to many equally interesting impressions. I would like to lead the spectator to introduce imaginary, unknown things, without feeling any fear, as a kind of new learning of the world through psychedelic assimilation as well as emotional order with the emotions and feelings that only he will be able to experience... I adopt a method of deconstruction, of transformation by hoping to plunge the spectator into a dreamlike universe while being connected to a reality. My subjects are more or less discernible, and their bodies detach themselves, or blend into abstract materials of random colours and shapes. Drowned in them, sinking into the heart of a whole that emancipates itself from a tenacious world, I also study the plastic representation of the pure psyche. It is now possible to scan our brain in a very scientific, real and objective way. On the other hand, I would like to offer a vision of what the meanders of thoughts could be in their raw state. Like a probe, my device would capture these moments of pure drift and free from fleeting vague daydreams."

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