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Paysage psychédélique 40

$565
Photography
One of a kind work | Ready to Hang
90 x 57 cm
Recipient of the dedication:

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Technique
Film photography
Type
One of a kind work
Material
Plexiglass
Dimensions
90 x 57 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity
Through my photographs I would like to demonstrate that the temptation to believe in the myth of objectivity in photography occurs when we give in to the temptation to believe in the objectivity of our perceptions and memories. By being open-minded, by accepting the unknown and the unspeakable, we can open ourselves up to a multitude of equally interesting impressions. I would like to bring the viewer to introject imaginary, unknown things without any fear, as a kind of new learning of the world through psychedelic assimilation and emotional order with emotions and feelings that only he will be able to experience. I adopt a method of deconstruction, of transformation, hoping to plunge the spectator into a dreamlike universe while being attached to a reality. My subjects are more or less discernible, and their bodies stand out, or merge into abstract materials of random colours and shapes. Drowned in them, sinking into the heart of a whole that is emancipating itself from a tenacious world. I also study the plastic representation of the pure psyche. It is possible today to make a scan of our brain in a very scientific, real and objective way. Conversely, I would like to offer a vision of what the meanders of thoughts could be in their raw state. Like a probe, my device would capture those moments of pure drifting, free of fleeting daydreams."
artist avatar

Chloé Coislier

Emerging artist Emerging artist

91 fans

epinay sur orge (91), France

31 works

Chloé C. student in arts develops her research on the transmission and awakening of memories. By combining silver and digital, chemically damaging her films while leaving them to chance, she creates abstract images where familiar shapes can be detached.

Through my photos I would like to demonstrate that the temptation to believe in the myth of objectivity in photography occurs when we give in to the temptation to believe in the objectivity of our perceptions and memories

.

By letting go of an open mind, by accepting the unknown and the unspeakable, we can open ourselves to many equally interesting impressions. I would like to lead the spectator to introduce imaginary, unknown things, without feeling any fear, as a kind of new learning of the world through psychedelic assimilation as well as emotional order with the emotions and feelings that only he will be able to experience... I adopt a method of deconstruction, of transformation by hoping to plunge the spectator into a dreamlike universe while being connected to a reality. My subjects are more or less discernible, and their bodies detach themselves, or blend into abstract materials of random colours and shapes. Drowned in them, sinking into the heart of a whole that emancipates itself from a tenacious world, I also study the plastic representation of the pure psyche. It is now possible to scan our brain in a very scientific, real and objective way. On the other hand, I would like to offer a vision of what the meanders of thoughts could be in their raw state. Like a probe, my device would capture these moments of pure drift and free from fleeting vague daydreams."

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