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Juliana BorinskiSeries from the color dark room VIII

Confirmed artist
Photography
One of a kind work | Framed and Ready to Hang
76 W x 104 H cm
$9,807
Recipient of the dedication:

$763 Shipping (France)
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Technique
Film photography
Type
One of a kind work
Material
DiBond
Dimensions
76 W x 104 H cm
Framing
Yes (78 W x 108 H cm)
Quality Guarantee
Sold with a certificate of authenticity

Series from the color dark room I-X is a series of color photograms (or rayograms) made continuously since 2013.

In the dark room, the three color filters, cyan, magenta and yellow, are successively developed on photosensitive paper (only one color per sheet). The papers are then cut into simple geometric shapes and in turn placed on a blank photo paper. A new exposure takes place. The light passes through the cut papers, the colours obtained on the new paper are inversions of the first three, while the background is entirely black, burnt by the light.The compositions are reminiscent of the constructivists and their arrangements of geometric forms, more particularly those of El Lissitzky who himself experimented a lot with the photogram.

Juliana Borinski has a strong interest in the history of forms, especially in Minimalism and Constructivism. She shares with these artists a constant interest in experimentation and exploration of the possibilities of materials. Series from the color dark room I-X, like many of her works, is the result of many unsuccessful attempts. In the dark room, by deviating from the usual development protocol, the artist loses control and at the end of the process can only judge positively or negatively the result.

Juliana Borinski
France
Confirmed artist
  • KAZoART artist since 2021
  • 38 works

Juliana Borinski is a German-Brazilian artist based in Paris, France. Her art has been exhibited internationally in contemporary art centers and museums since 2006. Working with still and often camera-less images (photography) and moving images (film, installation, video), she experiments with the conjunction between iconography and iconoclasm. Juliana's work explores various media issues through an analysis of their primary resources: chemistry, matter and devices. When working with photography or film, Juliana Borinski almost never uses a camera. She creates images, usually abstract, by directly using photosensitive paper or film to explore their aesthetic and technical capacities. What should only be a receptacle for the image, its support, becomes the very material of her work. Juliana Borinski looks for error, lack, chance. She voluntarily places herself at the margin of the systems she exploits, the visual media, taking care to avoid the image in the usual sense and the new technologies, to privilege the "almost nothing". This unconventional practice is also reflected in the fact that each piece is unique, at a time when copying an element only requires a single click, and when her working tools are photography and cinema, the heroes of technical reproducibility analyzed by Walter Benjamin.

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