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Conviction

$982
Photography
From a limited edition of 8 | Ready to Hang
80 x 100 cm
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Technique
Mixed media
Type
Limited edition of 8
Material
Aluminium
Dimensions
80 x 100 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity
Direct printing on 3mm Brushed AluminiumA material that is both stable and surprisingly light, hand signed on the back, delivered with certificate of authenticity, the suspension is included in the price, two strong and continuous metal rails on the back side of your work, use the full profile width of your photographic work and hang it quickly and securely on your wall, also available in different sizes and supports (paper, plexiglass, canvas, etc.) Contact KAZoART for more details.
artist avatar

Morgan Paslier

Renowned Artist Renowned Artist
Best seller Best seller

316 fans

VIGNOC (35), France

289 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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