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Éric BrocherieIn Motion #10

One of a kind work | Framed and Ready to Hang
80 W x 80 H x 1 D cm
Recipient of the dedication:

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Digital Prints
One of a kind work
80 W x 80 H x 1 D cm
Yes (2 W x 2 H cm)
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Sold with a certificate of authenticity

In Motion #10

From the "In Motion" series composed of 12 original pieces in the Red Collection

You will have the N°10/12

Typography, movement, speed and abstraction.

"I've always thought that typography could be an excellent raw material for art and abstraction.

If you are interested in this piece, it will be printed on Museum Canson 315g paper in a single edition certified fine art digigraphy with a lifespan without alteration of 70 to 100 years and with certificate of authenticity.

Moreover I commit myself to destroy the digital file of the chosen work so your copy will be unique." Eric Brocherie

This work is also available in NFT

Éric Brocherie
  • 16 works

Eric Brocherie is a self-taught artist. Initially a musician, he met graphic design in 1986. This visual universe opened the doors of art, typography and pop culture to him. Fascinated, he was bulimic and curious of artistic and graphic culture.

Between 1991 and 2018, he co-founded the design studios La 5e Colonne, Shaman l'atelier graphique, Franklin (all specialized in fashion and luxury) and the French Title (specialized in feature film credits).

He also participated in the advent of the Internet, being one of the pioneers, by organizing entirely digital artistic events such as Cybertags in 1998, but also by creating the first websites of pure players and brands such as the Cartier Foundation or Charles Jourdan.

During this period, he met Cédric Klapisch and directed the first credits for "Chacun cherche son chat" in 1996. As a fan of cinema and music, this allowed him to express his passions for the moving image, directing, editing, music and typography through this particular style of credits, a true multidisciplinary mix.

Since then he has directed all the credits of his films (L'auberge espagnole, Les poupées russes, Paris, En corps, ...) and has also worked with Jacques Audiard, Yvan Attal, Marion Vernoux, Gaspar Noë, Eric Rochan and others.

During these years, he divided his time between his work as an art director specializing in luxury and fashion and as a creator of generics. In parallel to his work as an art director, he used his experience and his visual and typographic culture to launch a more personal and artistic approach by creating singular digital works that he has decided to unveil today.

Typography, movement, speed, wear, decay, are the main themes of his abstract work. The emotion felt in front of the abstract has always fascinated him.

His influences, not exhaustive, are diverse and go from David Carson to Kandisky, from Bahaus to Jackson Pollock, from Neville Brody to Jean-Pierre Basquiat, ...

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