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Morgan PaslierUda - doors - 207

Confirmed artist
Best seller
Prints
From a limited edition of 8
50 W x 50 H cm
$392
Recipient of the dedication:

$29 Shipping (France)
  • Insured international shipping (7 days on average)
  • 14-day returns
  • Artwork delivered with certificate of authenticity
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Technique
Digital Prints
Type
Limited edition of 8
Material
Paper
Dimensions
50 W x 50 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Printed on fine art paper White
margin of 2 cm.
Signed by hand in the margin or on the back.
Delivered with a certificate of authenticity.
Drawing only.

Also available in different sizes and supports (brushed aluminium, plexiglass, dibond, canvas...) Contact KAZoART for more details.

Morgan Paslier
France
Confirmed artist
Best seller
  • KAZoART artist since 2016
  • 66 works sold
  • 353 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

See more

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