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Uda 26

-20%
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Prints
From a limited edition of 8 | Ready to Hang
65 x 65 cm
  • Free international shipping and returns
  • 14-day money back guarantee
  • Delivered with a certificate of authenticity
  • Shipping generally takes 7 days or less
Technique
Digital Prints
Type
Limited edition of 8
Material
Aluminium
Dimensions
65 x 65 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity

Printing on Dibond Aluminium Brushed 3mm Hand signed on the back. Delivered with a certificate of authenticity. Also available in different sizes and supports (plexiglass, paper, canvas, etc.)

Contact KAZoART for more details. The Dibond is the perfect support for your photos, light and super rigid thanks to its design: two aluminium plates enclose a black polyethylene plate for optimal strength. The prints are extremely resistant, even outdoors, in your kitchen or bathroom. This flatbed printing process allows printing directly on a Dibond plate with a brushed aluminium coating. The inks are solidified and fixed to the substrate by UV rays. On the back, hanging bars.

artist avatar

Morgan Paslier

Renowned Artist Renowned Artist
Best seller Best seller

360 fans

VIGNOC (35), France

301 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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