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Magazine vintage zoom numéro 1 - 01/38

$464
Prints
From a limited edition of 8
50 x 50 cm
Recipient of the dedication:

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Technique
Digital Prints
Type
Limited edition of 8
Material
Paper
Dimensions
50 x 50 cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Vintage magazine ZOOM number 1 # 01/38 Limited edition of 8 copies. You buy the N ° 1 ZOOM is a French photographic magazine created by Michel Caen in January 1970 The first magazine dates from January 1970, the last one from 1991 Series created in 2012 still in progress. Printed with Epson P20 000 on Baryta Hahnemühle 315g Signed and numbered by the artist. The print is 100 cm x 100 cm With a white border of 10 cm The image 80x80cm / 32 " With a certificate of authenticity.

There is another limited edition of 25 copies. 50 cm x 50 cm with a white border of 2 cm all around The total size is 54 cm x 54 cm With a certificate of authenticity For more questions please contact KAZoART.

artist avatar

Morgan Paslier

Renowned Artist Renowned Artist
Best seller Best seller

371 fans

VIGNOC (35), France

301 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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