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Uda 1 madonna

$1,028
Prints
From a limited edition of 8 | Ready to Hang
Recipient of the dedication:

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Technique
Digital Prints
Type
Limited edition of 8
Material
Plexiglass
Dimensions
50 x 50 cm
Framing
Quality Guarantee
Sold with a certificate of authenticity
American case and PlexicollageHand signed on the back, delivered with certificate of authenticity, one of the preferred finishes of art galleries, the plexicollée silver photo is a top-of-the-range service that gives an effect of contrast, brilliance and depth unequalled in your images. Add more cachet with the American box frame, giving the impression that the work floats without attachment in its frame, since a real photo print glued with a neutral glue under a 3 mm thick acrylic glass, the whole thing is mounted in a custom-made American box frame. 3 possible wood shades: Black, Wenge or White, also available in different sizes and supports (brushed aluminium, plexiglass, dibond, canvas...) Contact KAZoART for more details. the second photo is a print under plexiglass without American box in 100x100cm
artist avatar

Morgan Paslier

Renowned Artist Renowned Artist
Best seller Best seller

347 fans

VIGNOC (35), France

300 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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