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Pierre Muckensturm173C230931

Confirmed artist
Prints
From a limited edition of 11
50 W x 50 H cm
$488
Recipient of the dedication:

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Technique
Engraving
Type
Limited edition of 11
Material
Paper
Dimensions
50 W x 50 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity

Carborundum engraving on copper printed on BFK Rives paper 250gr.

Work realized in 11 copies numbered 1 to 11/11 and 3 artist’s proofs numbered a.o. I to III/III.

The copy sold is the artist’s proof e.a.I/III.

Stamp from the series of[contained lines].

When in 2010 Perre Muckensturm discovered Africa during a residency at the Boribana Museum in Dakar. The African continent then confronted the rigour of the rigour of the linearity of its lines with the flexibility of the perception of time that it gave it to feel. Thus, in his plastic research, the straightness of the line gave way to the curvature of the line. The lines seek to expand but have no choice but to bend under the constraint of the container square.

Pierre Muckensturm
France
Confirmed artist
  • KAZoART artist since 2015
  • 14 works sold
  • 26 works

Born on 20 February 1970 in Strasbourg. Pierre Muckensturm lives and works in Colmar.
He studied geography from 1989 onwards and then specialised in spatial planning at the Louis Pasteur University in Strasbourg.
Between 1997 and 2001, he participated in plastic art workshops and thus had the opportunity to present his first works in group exhibitions at the Centre Rhénan d’Art Contemporain in Altkirch (France).
Since then he has pursued an artistic career in parallel with his profession as a specialist teacher.
From 1997 to 2004, he approached painting with a resolutely figurative work and met his first collectors. Among them was Antoine Crupi, an architect, who commissioned him to create a very large work and who, later on, introduced him to his culture of design and architecture and introduced him to Le Modulor and a major work by architect Charles-Edouard Jeanneret-Gris: Notre dame du Haut. It was following his visit in 2004 that he left figuration and has since then endeavoured to find in his painting the accuracy of the emotion perceived then and, from it, he seeks to create his own universe of benevolence. To this end, he expresses himself through large oil paintings, which support a language of sober and intimate emotions. He bases his research on the certainty that, as Julius Bissier has stated: "Calm is greater than storm".
Since 2010, in parallel with his painted work, he has been developing an engraving work, which aims to fix a line / form of flexibility, curvature and deployment that can most accurately express his new temporal prehension.

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