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Bénédicte Klène19.07.2015. 13h13_16h16. 48° 3' 59''nord 2° 57' 27''est les petits riens / série herbes sages et folles / lumière solaire/ blue

From a limited edition of 2 | Framed and Ready to Hang
20 W x 20 H cm
Recipient of the dedication:

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Limited edition of 2
20 W x 20 H cm
Yes (25 W x 25 H cm)
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Sold with a certificate of authenticity
19.07.2015. 13H13_16H16. 48° 3' 59'''North 2° 57'' 27''East / Blue Les petits riens / Série herbes sages et folles / Lumière solaire: Edition d'art en tirage limité / 2 exemplaires numérotés de 1 à 2Duo d'estampes en blanc et bleu Cyanotypes sur Art Board Canson Bristol Lisse. Dry stamped and signed by Bénédicte Klène / November 2015" Fascinated by the spectacle of nature, pen in hand, I had fun exploring the corners of my garden around my studio while continuing my experiments with cyanotype prints in the sun. A challenge to the eye: wild or controlled, how does nature order itself, by playing with shadow and light, simply by observing the lines drawn by wise or completely crazy herbs? Then I entrusted the sun with the task of revealing or redoing my initial drawing. This gives a luminous drawing, like a work on the landscape with the help of nature. "Bénédicte Klène
Bénédicte Klène
  • KAZoART artist since 2019
  • 13 works

Bénédicte Klène lives in Brittany. His artistic work is open and protean (drawing, small edition, artist's books, painting, installation, performance).

Paper and drawing are always at the centre of her creative process. Chronicler of the ephemeral, Bénédicte Klène puts the relationship between drawing and instantaneous, graphic reporting and documentary investigation under tension.

For more than fifteen years, she has been collecting and drawing "Little Things" in Leporello notebooks, long kept secret, which she makes in the workshop. Her works focus on an experience of the gaze that questions our relationship to memory, time and movement, to the world and to the landscape.

From Brittany to Vancouver, passing through the Atlantic islands, Mont Blanc, the great metropolises (Paris, London, Brussels, Vancouver) to the whiteness and solitude of the Arctic, she has designed an astonishing collection of 180° views that unfold in an accordion.

In his most recent drawings in the series "PANORAMAS des PETITS RIENS des bouts du monde", the artist chooses and selects privileged points of view that provide the opportunity to embrace the world of the gaze, to possess it, or even to lose oneself in it and dissolve.

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