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Eric DurantVague VI vert et gris bleu sur papier blanc

Confirmed artist
Prints
From a limited edition of 7
42 W x 30 H cm
$347
Recipient of the dedication:

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Technique
Linocut
Type
Limited edition of 7
Material
Paper
Dimensions
42 W x 30 H cm
Framing
No
Quality Guarantee
Sold with a certificate of authenticity
Original print, linocut on rag paper Magnani Pescia 30 x 42 cm white, 300 gr/m², typographic ink in oil. The artist's work is based on a recurring theme: the expression of the dynamics of natural flows, turbulence and metastable states (between chaos and equilibrium) and refers to a poetic approach to Nature close to the philosophy of Japanese art. For him, it is a question of expressing the movement, power and expanding force of Nature, and of graphically translating this fundamental vitality, this "Great All" dear to Victor Hugo, taking into account the question of the limits of the framework of representation. The regular practice of live drawing feeds, in a continuous way, in parallel the creation in engraving.
artist avatar
Eric Durant
Confirmed artist
France

KAZoART artist since 2018

229 works

Since 1990, Éric Durant has regularly participated in national and international trade shows dedicated to engraving. Member of the engravers’ association "Engraver Maintenant". Engraving, now, for this artist is: Drawing by digging its furrow, testing the resistance of the material, generating a matrix, inking, unwinding, printing. Reveal an image... Keep a memory, honour the margins, celebrate slowness, do everything backwards, be there.


About linocut:
Over the years, linocut has established itself in its artistic activity as a privileged means of expression. It is a relief engraving technique (saving size) similar to wood engraving. Surfaces dug with a gouge will not be printed. The matrix is made of linoleum. It is a humble, artisanal practice that offers a slow ritual, with long drying times, where surprise and the unexpected, by decision, intuition or chance can occur, and reproduce, at different stages of creation. The power of colour, specific to oil-based typographic ink, the effects of textures due to printing conditions or the nature of the substrate, are combined with the possibilities of matrix permutations. The simplicity and modesty of the technique, which creative work can make people forget, continue to seduce him and feed his creation.

Read Eric Durant’s interview on the blog

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