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The series of still lifes "Meat is the common zone of man and beast, their zone of indistinguishability, it is this "fact", this very state where the painter identifies himself with the objects of his horror or his compassion" - Gilles Deleuze Francis Bacon, Logique de la sensation... For this series, my graphic work, almost topographic, closely gives an abstract, gestural and nervous interlacing, as graphic capillarities, landscapes... From a distance, the drawing is hyper-realistic. The nerve of this work would be the opposition between a "beautiful" way and a "disgusting" subject. With this opposition, I try to touch the sublime: what is beautiful and frightening at the same time. There is, in filigree, a great respect for the beast, perhaps an attempt to restore its sacredness, to pay attention to it, a child’s fascination for its "animation" (animal in Greek, it is what is animated, what has a soul). With this work, I am seeking to revive the sumptuous function of the work of art, and I was able to draw this flayed sheep during a dissection session I attended at the Toulouse veterinary school in 2010.