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Car in cement 5

$294
Sculpture
One of a kind work
17 x 6 cm
Recipient of the dedication:

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Technique
Concrete Sculpture
Type
One of a kind work
Dimensions
17 x 6 cm
Quality Guarantee
Sold with a certificate of authenticity

FROM THE OBJECT SERIES : (in progress)

A long time ago, I found a car stuck in the mud, certainly lost by a child, I was surprised by the sensation I felt at that moment, my childhood jumped in my face, and at the same time I was an archaeologist. My goal now is "Is it possible to reproduce this moment?" It's like this object has been there forever, you just have to find it in your mind. If you can feel what I feel, then it's a musical masterpiece. (B. Boys) And of course a tribute to the three members of the Ant Farm architectural group.

Car and cement. About 700 grams. Hand signed on the back.

artist avatar

Morgan Paslier

Renowned Artist Renowned Artist
Best seller Best seller

371 fans

VIGNOC (35), France

301 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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