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Bettina EberhaerdChakma

Sculpture
One of a kind work
46 W x 165 H cm
$3,289
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Technique
Fabric Sculpture
Type
One of a kind work
Dimensions
46 W x 165 H cm
Quality Guarantee
Sold with a certificate of authenticity

Contemporary textile art. Unique piece, made from recycled materials.

Thought like a tapestry made up only of warp threads, with the will to make readable the mechanical element of the loom in its finest dimension of the metallic lices.

The central part is made of a continuous thread, knotted; an evocation of the endless knot in Buddhist thought, the union of wisdom and method, the interdependence and interconnection of everything in the universe. Its title " Chakma " refers to the largest of the indigenous populations of Bangladesh... An invitation to travel and to meet civilizations.

This work can be hung on simple nails or hooks.

Bettina Eberhaerd
France
  • KAZoART artist since 2018
  • 93 works

Bettina Eberhaerd was born in Brussels in 1963, currently works and lives in Palalda in the Eastern Pyrenees. Self-taught visual artist practices drawing, painting before using photography and computer graphics.

She uses images that do not connect us to the world’s current events in what she has that is sensational, violent or event-driven. Away from such agitation, it creates another world, another reality, the essence of a dialogue with the living. Subtlety, assumed banality of the subject, purified images, are the results of a plastic work set up at the shooting, continued in the later phases, which gradually removes all references and speeches to install a world in itself renewed from series to series....

As an extension of photography, Bettina Eberhaerd is part of a digital art form. As in painting, his images are elaborated by a confrontation of "materials", from his "falling photos" or even his "failed photos", in successive and multiple layers, working with light, transparency and opacity. As an explorer, while questioning the environment, life and matter, she evolves from the subjective world.

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