Self-taught and passionate about creation since his early childhood, Tony has been a craftsman for 17 years in the field of galvanizing. He mainly works with zinc and copper and uses the techniques of the zingueur and the ornamentalist.
It starts from a flat sheet to create surprising volumes. The sculptures surprise to the touch, with their warmth and softness, and to the eye. Their apparent strength and real malleability is a way to make these materials alive and inflexible. Their colour is unique, environmentally friendly due to climatic aggressions.
As he gets older, traces of it are written under his skin, whitish and bluish shiny. At first, its colour lives and evolves over time to end up in a remarkable velvet grey. These materials resist time and atmospheric agents to last.