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Sophie BocherLe refuge

Confirmed artist
Best seller
Sculpture
From a limited edition of 30
18 W x 10 H cm
$549
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Technique
Plaster Sculpture
Type
Limited edition of 30
Dimensions
18 W x 10 H cm
Quality Guarantee
Sold with a certificate of authenticity

Awarded a prize at the Salon National des Beaux Arts du Carrousel du Louvre, Le Refuge is a culmination in terms of emotional power in formal simplicity obtained after a major work on possible forms and their balances. Here it is patinated with shellac in antique bronze tonality. The work is also available in numbered bronze (/8+4EA) on order.

These plaster artist’s prints, each executed by me, are limited to thirty editions.
Sophie Bocher
France
Confirmed artist
Best seller
  • KAZoART artist since 2017
  • 15 works sold
  • 31 works

The claywork at the heart of Sophie Bocher's sculptures is a reminder of the essential connection between humankind and the earth. Her aim is to return to a sort of primitivism in which emotion is expressed in its most pure and authentic form.

A meeting of sculptural form and raw emotion

Sophie Bocher has sculpted for twenty years. Whilst studying painting, drawing and sculpture in Paris’ Fine Art Ateliers for over three years, Bocher learnt, experimented with and defined her own style. Since 2014, her work has been centred on experimenting with materials such as bronze, plaster, cement and sandstone, and exploring their unique properties. She uses sandstone chamotte and concrete for their raw appearance and to give an impression of minerality and bareness.

As an artist, Bocher is influenced by the work of great sculptors like Brancusi and Henry Moore, and Moore’s words ring just as true for her own pieces: "The great, continual, everlasting problem is to combine sculptural form with human sensitivity and meaning, i.e. to try to keep primitive power with humanist content."

Constant balance that shines a spotlight on form

Sophie Bocher's plaster and bronze pieces are smooth and soft, creating a sensation of gentleness, calm and serenity. When there is colour, it serves to highlight the material effects obtained and shine a spotlight on form.

Amongst the different textures, a balance between abstraction and figuration is achieved, bringing the concept of humanity to its essential and universal form. In the more abstract works, balance is often created through the various re-compositions of pieces which are in constant motion, often offering the possibility of modulating different elements of the sculpture.

Read an article on Bocher’s work from art historian and journalist Thierry Savatier published on the LeMonde.fr culture blog: http://savatier.blog.lemonde.fr/2017/05/24/les-sculptures-epurees-de-sophie-bocher/

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