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Morgan PaslierAbstraction #115 50cm

Confirmed artist
Best seller
Sculpture
One of a kind work | Ready to Hang
50 W x 50 H x 2 D cm
$698
Recipient of the dedication:

$45 Shipping (France)
  • Insured international shipping (7 days on average)
  • 14-day returns
  • Artwork delivered with certificate of authenticity
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Technique
Resin Sculpture
Type
One of a kind work
Material
Aluminium
Dimensions
50 W x 50 H x 2 D cm
Quality Guarantee
Sold with a certificate of authenticity

Edition of two copies, one of 50 cm and a second of 100 cm.

"From the series "I am in the middle of something": this series refers to your inner space. Where you are right now, the vibrations you are receiving right now are yours! Plus mine." Morgan Paslier

DIASEC Fuji Crystal Archive Photo paper 220 gr mount under 4 mm clear acrylic glass, with 3 mm Dibond on the back, delivered with hanging profile (ready to hang with an aluminum system on the back).

Hand signed on the back.

Delivered with certificate of authenticity. Transported in a wooden crate.

Please contact KAZoART for more details if you are interested.

Morgan Paslier
France
Confirmed artist
Best seller
  • KAZoART artist since 2016
  • 66 works sold
  • 353 works

Morgan Paslier is interested in materials, textures and their details. For the work he produces in digital montages, he begins by finding the materials he is going to photograph.

Image creator

Morgan Paslier has been interested in photography since he was in college. Using a Lomo camera, he experimented with image creation. After working in the audiovisual world as an assistant decorator and lighting assistant, he became a professional photographer.

Paslier’s work is artistic, focusing on the details of materials which he photographs during his travels and walks. Anne-Cécile Satta, founder of the Marie Ricco gallery, discovered his photos by chance and decided to exhibit them in her gallery to promote his work.

Skilled photographer

Like Jacques Villeglé and Raymond Hains, Morgan Paslier is fond of the tattered posters covering information panels. He looks in particular for zinc panels that have just been cleaned by the local council where only a few scraps of paper remain.

These are the details he first photographs and then uploads to his computer so that he can use them to produce digital montages by superimposing pieces of images. This initial montage works as the background of the piece, over which he superimposes the portrait of a famous figure or icon, almost like a stencil.

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