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Laure PolinRetour aux sources 1

Confirmed artist
Best seller
Sculpture
One of a kind work
14 W x 42 H cm
$1,242
Recipient of the dedication:

$72 Shipping (France)
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Technique
Stone Sculpture
Type
One of a kind work
Dimensions
14 W x 42 H cm
Quality Guarantee
Sold with a certificate of authenticity

Retour aux sources: Like the sculpture named Végétal, Retour aux sources talks about our environment but also about our relationship to it. Here the vegetation is in full bloom, even luxuriant. The clearly drawn face, coming from the vegetation that surrounds it, symbolizes this symbiosis that exists or should exist, between the human being and his environment. Sculpture in slate, Base in medium.

Laure Polin
France
Confirmed artist
Best seller
  • KAZoART artist since 2018
  • 31 works sold
  • 70 works

Half figurative, half abstract, his art travels between the two. Faces, bodies, sensations, movements, rhythms are born in the curves and the loose lines. In this ballet of sensations, sometimes mythological creatures emerge, summoning allegories and memories, inviting the viewer to enter the dance.

Creating living forms, in search of harmony

When Laure Polin sculpts, she perceives the space her works will have to take possession of. She does not shape her works from the outside, as a stone can be attacked by the chisel, but rather she shapes them in the very depths of their intimacy.

She does not perceive a difference between an abstract and a figurative form. Whether she creates a bust, or an abstract sculpture inspired by an interior model, Laure Polin simply seeks to create living forms.

A living form is a form in impulse, full, tenuous, which establishes a sound relationship with another form. A sculpture is a set of volumes that echo and hear each other. From this agreement must be born harmony. Her sculpture belongs to the field of discovery. When she sculpts, she does not seek to reproduce a pre-established form but constructs a form that illustrates the feeling she carries.

An intuitive plastic path

In the beginning, it is indecision: the open field of so many possibilities. Indecision leads to research: Laure Polin looks for a trace, an imprint, a mark, a memory in the material, a clue... She cuts, sands, shakes the material. Then something appears: a tiny detail sometimes, like an echo or on the contrary like a call. She recognizes an eye, a back, a vertebra, the outline of a bone structure, a construction, a movement...

In reality, Laure Polin recognizes the beginning of a soul (of her soul?), the beginning of a structure, the beginning of a work. Then the sculpture takes a form. The one she was wearing without knowing it? The one that was buried in the material? No matter, it will be the one that emerges from all her sensations of the present moment.

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