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Clémentine VaucheletLa peau est le bois

Emerging artist
Sculpture
One of a kind work
10 W x 36 H cm
$340
Recipient of the dedication:

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Technique
Wood Sculpture
Type
One of a kind work
Dimensions
10 W x 36 H cm
Quality Guarantee
Sold with a certificate of authenticity

The skin is wood, drawing on wood, log on plaster base, 2014 The skin is wood is a series of drawings on four logs. Two of them are characterized by their raw, natural appearance, while the other two reveal a carved and polished woodwork in the order of sculpture. The bark here has only been partially removed and the log has been sanded down so that the ink adheres and the act of drawing with my favourite medium (the fine felt with indelible black ink) becomes possible. The drawing is on the upper part of the log, the rest of the surface has an intact bark. The latter seems to emerge from the bark where it sometimes mixes with the colour of the wood. This series of works, which results from various techniques, is at the borderline of several fields. The drawing evokes the tattoo and asserts itself as such on the skin of the wood. The plaster base and woodwork place the work between the design object and the art sculpture where the fantasy drawing is always inspired by the world of fauna and flora.

(The log and its base are between 35.5 and 36 cm high; the log's circumference is about 24 cm where it is most voluminous and the base has a diameter of 9.8 cm.)

Clémentine Vauchelet
France
Emerging artist
  • KAZoART artist since 2017
  • 19 works sold
  • 72 works

Clémentine Vauchelet is a visual artist and textile designer who lives and works in Seine-et-Marne. She holds a Master's degree in Image and Living Arts from the Pantheon-Sorbonne University and a BTS in Fashion Design.

Her graphic compositions are poetic spaces where the artist's imagination wishes to express itself in a free movement, in close connection with nature. Although her drawings made of points, lines and curves are meticulous, their realizations banish the sketch made beforehand and the observed model. Bodies of a fantastic fauna and flora, the subjects of his creations are like an embryo that unfolds. They invade various surfaces such as paper, wood, or even shells. Inspired since childhood by Hayao Miyazaki's animated films, by the terrestrial and marine fauna and flora discovered during her travels in Guadeloupe, remembered with her child's eyes, but also by micro-organisms and the bacterial world, Clementine makes nature her main, primordial and committed subject.

Her creations, in various mediums and techniques, reveal a universe imbued with poetry where through the metamorphoses of nature the artist puts at the heart of her work the concept of survival.

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