Pilotis bleu

$742

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Technique
Wood Sculpture
Type
One of a kind work
Dimensions
40 x 35 cm
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Sold with a certificate of authenticity

From my mother's belly to the cabin, WHY NOT! The Plotis series was born to celebrate the 7 years of reconversion of the visual artist Oriana Fierro, after having had the opportunity to find a barrel circle during a walk in the Touraine forest. She puts her hands to the task and designs her first collection, the "Quatre Saisons". Already 7 years old! and no more now! Symbol of the age of reason: the age when huts are built at the bottom of the garden or high up in the hollow of a tree. A story of childhood, construction and travel, from a fisherman's cabin, from the hunter's observation point to the Kazakh yurt or Indian tipi. The cabin in all its forms. From this "piloted in the moonlight", and today "Blue Piloted" we have the view of the Andes mountain range, from the top of my 7th year, illuminated by the moon, rocked by the sound of the Pacific Ocean, and protected by the benevolent gaze of the Moais of Easter Island, I invite you on this journey. Whether as a child's eye or as a travel expert, the stilts are a symbol of spiritual escape.

The dimensions of the sculpture are: 40 cm long x 13 cm wide (base of the sculpture) x 35 cm high

Optional: a wooden base is available, painted in trompe-oeil marble grey grey and light blue. It is therefore not included. Please contact KAZoART to order it with the sculpture.

artist avatar

Oriana Fierro

8 fans

TOURS (37), FRANCE

11 works

An architect by training (Chile), Oriana is passionate about the architecture of nature and seeks to raise our awareness and denounce all these human disasters that are destroying our beautiful planet. Oriana Fierro's work reflects her story, which she describes as "magical". Traveller, a bit nomadic, in osmosis with nature, she draws from her Chilean origins, this extra soul.

The poetry of her work transports us into her romantic universe inspired by nature. It was at the end of a walk in the forest that she had her first click when she found a barrel circle, which she decided to recycle, and to give life to it. She welcomes it as a sign: the circle is a symbol of femininity. It refers to the roundness and softness of the mother's womb, which she appropriates as a refuge.

This filiation naturally finds meaning in its production, which is often worked around the bird and the nest to symbolize a mother's fertility, protection and complicity towards her children; a kind of Japanese landscape. The materials she works with are wood, plaster, porcelain recovered and then fragmented, terracotta, recycled steel...

All these noble materials, in relation to nature, are eco-responsible. The blue line, in her latest series of "Iceberg" paintings, is a symbol of the blue blood that flowed when the yamanas - her "Aristocrats" she says - were massacred by the settlers when they arrived at the conquest of Patagonia. In the same way, icebergs shed their blue blood - their last massacred by man, the colonist of our planet.

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